| 000 | 13414nam a2201969 4500 | ||
|---|---|---|---|
| 001 | 2087 | ||
| 010 | _a9729119112 | ||
| 090 | _a2087 | ||
| 100 | _a20091013d2004 k y0pory5003 ba | ||
| 101 | 0 | _aeng | |
| 102 | _aPT | ||
| 200 | 1 |
_aArt and Science _eProceedings of the XVIII Congress of the International Association of Empirical Aesthetics _fed. José Pedro Fróis, Pedro Andrade, J. Frederico Marques |
|
| 210 |
_aLisboa _cFundação Calouste Gulbenkian _d2004 |
||
| 215 | _a736 p. | ||
| 464 | 1 |
_tFrom the hostility of opposition to the in midst of perception : the shift of thinking by aesthetic-artistic processes _029355 |
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| 464 | 1 |
_tThe Russian nature and old town architecture as the causes of Russian art : collection of art photo pictures _029356 |
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| 464 | 1 |
_tWatercolors in the abstract _029357 |
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| 464 | 1 |
_tTexture : light paintings _029358 |
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| 464 | 1 |
_tTraces of meaning _029359 |
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| 464 | 1 |
_tWithin words... time _029360 |
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| 464 | 1 |
_tThe power of (even depicted) shadows in favouring the visibility of illusory contours, surfaces and volumes _029361 |
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| 464 | 1 |
_tAssociative connection of colours to composition of different character _029362 |
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| 464 | 1 |
_tInterpretation and impression of gaze directions in a Japanese ukiyo-e picture and its compositional variations _029363 |
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| 464 | 1 |
_tThe psychological reality of the 17 plane symmetry groups _029364 |
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| 464 | 1 |
_tAnalysis of multiple impressions of color-form pairs and their influence on memorability _029365 |
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| 464 | 1 |
_tEffects of congruent and incongruent titles on aesthetiv experiences of paintings _029366 |
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| 464 | 1 |
_tThe spatial structure of chromatic textures and it's resultant color appearance _029367 |
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| 464 | 1 |
_tA visuomotor skill model for artists advantages in drawing, visual analysis, and form recognition _029368 |
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| 464 | 1 |
_tAbout photographic in science _029369 |
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| 464 | 1 |
_tFunctions of communication in pictures _029370 |
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| 464 | 1 |
_tPrototypically of visual stimuly _029371 |
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| 464 | 1 |
_tAesthetic communication through posters _029372 |
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| 464 | 1 |
_tPerception and aesthetic preference for configurations with multiple color combinations _029373 |
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| 464 | 1 |
_tExperimental scrutiny of the visual right-ness theory of picture preception _029374 |
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| 464 | 1 |
_tTypically and 20th century painters categorization _029375 |
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| 464 | 1 |
_tEffects of titling conditions on the aesthetical judgment of paintings _029376 |
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| 464 | 1 |
_tCan effective meaning of multiple color combinations be predicted from their component colors? _029377 |
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| 464 | 1 |
_tPictorial rotation and aesthetic preference _029378 |
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| 464 | 1 |
_tInformatioon technologies and aesthetic problems _029379 |
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| 464 | 1 |
_tThe soul-fitter against the problem : an empirical study of the aesthetics of psychology and the psychologists _029380 |
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| 464 | 1 |
_tNovelty, curiosity, and absurdity end and art begins : the dangers in defining what should be considered art _029381 |
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| 464 | 1 |
_tThe scientific illustration, witness of the renaissance revolution from the art for science _029382 |
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| 464 | 1 |
_tPersonal qualities : method of measurements and its implication in cultural politics _029383 |
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| 464 | 1 |
_tMusic-affect relationship in educational context _029384 |
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| 464 | 1 |
_tA study of preference for particular tone/tempo frequency relationships in popular music _029385 |
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| 464 | 1 |
_tMind and body : towards a comprehensive view of musical emotions _029386 |
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| 464 | 1 |
_tA musical variation system by the structural correspondence between music and narrative _029387 |
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| 464 | 1 |
_tComputer feedback in musical communication of emotions : the feel-me program _029388 |
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| 464 | 1 |
_tClassical music : what's not to like? _029389 |
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| 464 | 1 |
_tAesthetic evaluation of music lowered by negative moods _029390 |
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| 464 | 1 |
_tReaxamining the equal-odds rule in classical composers _029391 |
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| 464 | 1 |
_tCreativity in music : cerebral hemisphericity, stylistic features, and greatness _029392 |
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| 464 | 1 |
_tThe role of motivation in musical training _029393 |
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| 464 | 1 |
_tFractals in art : from Homer to Solzhenitsyn _029394 |
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| 464 | 1 |
_tA computational approach to literary and narrative production : toward computational narratology _029395 |
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| 464 | 1 |
_tA rethorical analysis of a Japanese comic for hyper-comic system _029396 |
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| 464 | 1 |
_tAn analysis of the celtic legend Deirdre, based on a story-making formula _029397 |
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| 464 | 1 |
_tReading life and personality through art-work : interpretation on the edge _029398 |
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| 464 | 1 |
_tHyperfiction and science _029399 |
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| 464 | 1 |
_tA computational modeling of perspective and vopice in the narrative rhetoric _029400 |
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| 464 | 1 |
_tFictional representations of the blush _029401 |
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| 464 | 1 |
_tSecondary variations and hypertext : making of literary hypertext and evaluation method _029402 |
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| 464 | 1 |
_tNovel as a laboratory : Paul Auster's awareness of the literary medium in City of Glass _029403 |
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| 464 | 1 |
_tWhat is a literary masterpiece? : the empirical angle _029404 |
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| 464 | 1 |
_tThe role of nonverbal expressions in the novel _029405 |
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| 464 | 1 |
_tWhat happens when a psychologyst takes a literary topic : literary theorists don't like it : a reply to Gerard Steen and Edmund Nierlich _029406 |
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| 464 | 1 |
_tA study of the willing suspension of desbelief by the way of the reader's imagination _029407 |
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| 464 | 1 |
_tThe horizon of expectations in the cinemato-graphic field. PI: faith in chaos : cinema, literature and science theory _029408 |
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| 464 | 1 |
_tNon-story processing on the film rhetoric composition system _029409 |
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| 464 | 1 |
_tEffects of film velocity and figure locomotion on genre categorisation and affective viewer impressions _029410 |
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| 464 | 1 |
_tThe Matrix : movigoers knowledge about actors and actresses _029411 |
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| 464 | 1 |
_tMonsterpiece : a case study of group creation _029412 |
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| 464 | 1 |
_tDynamics of creativity performances under short term stress (or confort) conditions _029413 |
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| 464 | 1 |
_tComparing personality, psychometrically-measured creativity and intelligence in creative artists, prisoners and university students _029414 |
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| 464 | 1 |
_tThe Bauhaus and the search for an art language _029415 |
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| 464 | 1 |
_tThe development of aesthetic apprehension _029416 |
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| 464 | 1 |
_tDeveloping an art understanding interview _029417 |
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| 464 | 1 |
_tGeneral conceptions about art : preliminary findings _029418 |
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| 464 | 1 |
_tCreativity in free and project-based artistic production of children aged 10-12 _029419 |
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| 464 | 1 |
_tLearning art as a rite of initiation _029420 |
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| 464 | 1 |
_tThe child's relationships with artworks and the role of Museum Educational Services _029421 |
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| 464 | 1 |
_tLife science and art education _029422 |
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| 464 | 1 |
_tGreen aesthetics and education through art _029423 |
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| 464 | 1 |
_tAesthetic literacy in art education discourses outside USA and UK _029424 |
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| 464 | 1 |
_tThe installation as a metaphor for art education _029425 |
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| 464 | 1 |
_tDeveloping portfolios for learning and assessment aesthetic understanding _029426 |
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| 464 | 1 |
_tInternet and art education : webs to learn and create net-art _029427 |
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| 464 | 1 |
_tA cross culture study of gender concepts _029428 |
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| 464 | 1 |
_tThe visual culture of medicine _029429 |
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| 464 | 1 |
_tThe grey point _029430 |
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| 464 | 1 |
_tWritten and spoken languages and the establishment of a grammar in art _029431 |
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| 464 | 1 |
_tOn the beauty of handwriting and chinese calligraphy _029432 |
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| 464 | 1 |
_tMeasuring aesthetic sensivity : scale development and psychometric properties _029433 |
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| 464 | 1 |
_tVirtuality and aggressiveness : aesthetic categories? _029434 |
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| 464 | 1 |
_tMastering the style! : influences of stylistic information on appreciation of abstract paintings _029435 |
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| 464 | 1 |
_tThe social class factor in young people's attitudes to dance _029436 |
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| 464 | 1 |
_tSituated sensibilities and seeking the pre-discursive : aesthetic response in times of crises _029437 |
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| 464 | 1 |
_tChzen-Ichimi : the tea ceremony and zen, noh play _029438 |
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| 464 | 1 |
_tInfluence of conflict and incongruity intolerence on decisions concerning personal elegance _029439 |
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| 464 | 1 |
_tAesthetic appreciation of visual images favouring expectation confirmation of contradiction phenomena _029440 |
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| 464 | 1 |
_tProcessing stages in art appreciation _029441 |
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| 464 | 1 |
_tSynchrony and preference _029442 |
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| 464 | 1 |
_tAesthetic analogues of Gresham's Law _029443 |
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| 464 | 1 |
_tPersonal constructs and the perception of faces and facial expressions _029444 |
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| 464 | 1 |
_tExploring aesthetic preference using fMRI _029445 |
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| 464 | 1 |
_tEffects of colour and texture on emotional evaluations _029446 |
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| 464 | 1 |
_tSemantic differentials of aesthetic appreciation of photographs _029447 |
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| 464 | 1 |
_tGestalt rules overning aesthetic preference _029448 |
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| 464 | 1 |
_tThe assessment of preference for balance : introducing a new test _029449 |
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| 464 | 1 |
_tAssemblage as Rorschach : empirical hermeneutic aesthetics and the art spectator _029450 |
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| 464 | 1 |
_tPredicting preference for furniture, paintings, and houses : a discontinued confrontation between three theories of aesthetics _029451 |
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| 464 | 1 |
_tAesthetic judgments and mnemonic traces _029452 |
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| 464 | 1 |
_tDemand on figurativity : from the prejudice on the occasion of an English-Hungarian cross-cultural survey _029453 |
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| 464 | 1 |
_tDoes the visual taste develop? : recent data about the comparison between mass-produced art and museum art _029454 |
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| 464 | 1 |
_tAffective qualities of Russioan and Dutch landscapes : a cross-cultural study _029455 |
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| 464 | 1 |
_tEl Greco's use of hidden geometry _029456 |
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| 464 | 1 |
_tFactors contributing to the perceived quality of static abstract designs _029457 |
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| 464 | 1 |
_tVisual aesthetics and the brain _029458 |
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| 464 | 1 |
_tListening mode may affect neurophysiological responses to sounds _029459 |
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| 464 | 1 |
_tChoreography and cognition : a joint research project _029460 |
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| 464 | 1 |
_tDancing between worlds : trans-disciplinary approaches to cognition, creativity & coreography _029461 |
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| 464 | 1 |
_tAbout elementary musical sounds used in vocal performance (theoretical and empirical study) _029462 |
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| 464 | 1 |
_tMeans and devices of art : information standpoint _029463 |
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| 464 | 1 |
_tA psychological analysis of Chekhov's moments of fright _029464 |
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| 464 | 1 |
_tSome psychological remarks about A. Chekhov's Albione's daughter _029491 |
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| 464 | 1 |
_tMeans and devices of art : theory and measurements _029492 |
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| 464 | 1 |
_tQuestions from the bottom of Canyon between two cultures, and cry at the brink of the bottomless abyss of terroristic war _029493 |
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| 464 | 1 |
_tThe elastic distance between images and objects _029494 |
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| 464 | 1 |
_tDo the arts evolve in synchrony? _029495 |
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| 464 | 1 |
_tEvolution of artistic life : Russian literature and Russian music in the XIXth Century (quantitative approach) _029496 |
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| 464 | 1 |
_tArousal potential, sizes of oeuvres, and the evolution of Russian painting _029497 |
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| 464 | 1 |
_tThe effects of art museum visit on the aesthetic response of elementary _029498 |
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| 464 | 1 |
_tArchaelogy in museums : public and fiction _029499 |
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| 464 | 1 |
_tTime : a neglected aspect of visitor characteristics _029500 |
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| 464 | 1 |
_tThe museaum visitor's concept of learning _029501 |
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| 464 | 1 |
_tTHe influence of a map on visitor navigation in an open air museum _029502 |
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| 464 | 1 |
_tExpectations of museum professionals towards studies of visitor behavior and museum evaluation _029503 |
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| 464 | 1 |
_tMental representations of museums : an investigation on school children _029504 |
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| 464 | 1 |
_tOrganizational aspects and expertise levels as variables influencing affective processes in museum visits _029505 |
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| 464 | 1 |
_tArt / science / technology : e-art in virtual museums measured by interdimensional networking method _029506 |
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| 464 | 1 |
_tEnvironmental qualities in art museums and visitors experience : cognitive and affective processes _029507 |
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| 464 | 1 |
_tAnalyzing the production of meaning during exhibition visits _029508 |
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| 464 | 1 |
_tUsing silence to empower adult visitors viewing contemporary art in a fine arts museum _029509 |
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| 464 | 1 |
_tSymposium recent trends in museology _029510 |
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| 464 | 1 |
_tCareers in the dramatic arts : developmental and motivational perpsectives _029511 |
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| 464 | 1 |
_tAlbert Wellek : a pionner in the field of aesthetics and the psychology of music _029512 |
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| 464 | 1 |
_tPersonality and artistic style : connected, yes, but in what ways? _029513 |
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| 464 | 1 |
_tThe neuropsychology of visual artists _029514 |
|
| 464 | 1 |
_tArt, science and humour : the study of humourous experience at the intersection between psychology and the art world _029515 |
|
| 606 | 1 | _aPsicologia Geral | |
| 606 | 1 | _aArte | |
| 606 | 1 | _aEstética | |
| 606 | 1 | _aMusica | |
| 606 | 1 | _aCognitiva | |
| 606 | 1 | _aCreatividade | |
| 606 | 1 | _aPercepção visual | |
| 606 | 1 | _aMetodologia | |
| 606 | 1 | _aLiteracia | |
| 686 | _a2100 - Psicologia Geral | ||
| 686 | _a2620 - Arte | ||
| 686 | _a2340 - Processos Cognitivos | ||
| 701 | 1 |
_aFróis _bJoão Pedro _ced. |
|
| 701 | 1 |
_aAndrade _bPedro _ced. |
|
| 701 | 1 |
_aMarques _bJ. Frederico _ced. |
|
| 710 | 1 | 2 |
_aCongress of the International Association of Empirical Aesthetics _dXVII _eLisbon _f2004 |
| 856 | 4 | _uhttps://catalogo.ispa.pt/opac/biblioteca/localizacao_doc/p1.htm | |